Tony Lo Bianco, a revered figure in cinema, particularly noted for his distinctive portrayals in seminal 1970s films, has died.
Tony Lo Bianco succumbed to prostate cancer at 87, the Hollywood Reporter reported.
Lo Bianco died late Tuesday in the serene setting of his horse farm in Poolesville, Maryland, surrounded by his loving family. His wife, Alyse, confirmed that the cause was prostate cancer. The impactful, gritty allure of his roles, often as criminals with a charming twist in New York City settings, marked a significant era in film.
In 1971's "The French Connection," Tony Lo Bianco portrayed Sal Boca, a small-time luncheonette owner with a secret life intertwined in narcotics trafficking. His performance in this film, alongside other roles during the 70s, forever etched his name in the annals of Hollywood. Moreover, his character Vito Lucia in "The Seven-Ups" (1973), a film recognized for its high-octane chase scenes, solidified his on-screen persona.
Tony Lo Bianco's role as Sal Boca caught the eye of many, including legendary director Francois Truffaut. Truffaut once heralded Tony's film "The Honeymoon Killers" (1970), where Lo Bianco starred in his favorite American film. Such high praise underscored the quality and impact of Lo Bianco's work.
Francois Truffaut once said [The Honeymoon Killers] was his favorite American film.
Born in Brooklyn in 1936, Tony Lo Bianco's early life included aspirations in sports before pivoting to the dramatic arts. After a stint in boxing and a brief tryout with the Brooklyn Dodgers, he gravitated towards acting, culminating in his on-screen debut in 1963.
In addition to acting, Lo Bianco was passionate about theatre production; he co-founded and led the Triangle Theater as its artistic director.
Throughout his extensive career, Lo Bianco extended beyond the screen. He earned a Tony nomination 1983 for his stage role in "A View From the Bridge." Additionally, his portrayal of Fiorello La Guardia, replicated in several stage productions, was pivotal to his career, allowing him to embrace a critical historical figure through his one-person shows "Hizzoner!" and later, "The Little Flower."
Tony's diversity of roles and dedication to the craft left an indelible mark across different entertainment platforms, from the stage to the silver screen and even into directorial tasks.
Tony Lo Bianco lived a life marked by familial and creative richness. He is survived by his wife, Alyse Lo Bianco, children Yummy and Nina, step-children Tristan and Lanah, six grandchildren, and four step-grandchildren. Sadly, his daughter Ana predeceased him in 2006.
Tony Lo Bianco's memory is cherished by his family, friends, and admirers of his work around the globe. His death marks the end of a significant chapter in film and stage history, but his legacy will undoubtedly continue to influence and inspire.
In conclusion, Tony Lo Bianco's journey through life and art, marked by iconic roles, a Tony nomination, and heartfelt performances on stage, leaves behind a multifaceted legacy. His portrayal of complex characters, robust theater involvement, and deep personal connections crafted a life rich in narrative and inspirational fodder for generations to come.
